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Creative Thinkers International
Embracing the world with positive creativity.
The goal of Creative Thinkers International, also known as The CTI Initiative, is to help inspire creative responses to the challenges and joys of 21st-century life through writing, art, music, social science, spirituality, and philosophy.
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Author-Poet Aberjhani reviewed:
The Diving Bell and the Butterfly
1 of 2 people found the following review helpful:
 An Inspired Wonder Called "The Diving Bell and The Butterfly", After reading the former French Elle Magazine editor Jean-Dominique Bauby's memoir, THE DIVING BELL AND THE BUTTERFLY, when it was first published in 1997, I couldn't help wondering if it would be possible for anyone to make a decent movie out of it. After watching the film directed by Julian Schnabel, with a screenplay by Ronald Howard, I was awestruck to acknowledge that not only had they made a decent film, but a gorgeous and phenomenal one. It makes sense that The Diving Bell and the Butterfly should shine on the big screen like the huge glowing miracle that it is because the fact that Bauby even "wrote" his book at all was itself nothing less than a king-sized miracle. A major stroke in his brain stem left him paralyzed with locked-in syndrome, a condition in which he was fully conscious but unable to move any part of his body except his left eye. Whereas the shock of finding oneself in such a torturous state might have caused many to shut down completely, Bauby rose to the occasion within himself by the sheer power of will, spirit, and the loving compassion of others. His body, he noted, may have become like a heavy diving suit that weighed him down, but his mind became freedom personified, like a butterfly that floats at will through realms of intellect, memory, and imagination. Harnessing the resources at hand, he learned to dictate by indicating individual letters with the blink of an eye and managed to compose a small masterpiece Actor and director Mathieu Amalric plays Bauby with deeply attractive humanity. Viewers first meet him from inside his head, so to speak, as he begins to regain consciousness and doctors gather to explain what has happened. Once the unsettling fact of his paralysis is painfully established, we move with the stream of Bauby's consciousness back and forth through scenes of high-energy photo shoots at Elle Magazine, memories of shaving his father, the complications of a love affair, and fantasies of intimate encounters with his lovely female therapists. A particularly powerful element within this movie is the portrayal of Bauby's existential stubbornness. Ironically enough, prior to his stroke, he becomes angry with his lover when she insists they visit Lourdes, a place where divine healings reportedly often takes place. Still later, when in a wheelchair, a priest offers him communion and he signals to his therapist with a blink of his eye that he does not want it. Comically, his therapist ignores this and tells the priest he does. It is this determination to guard his sense of individual humanity that makes Bauby beautifully heroic, even though he would not describe himself as such. Actress Emmanuelle Seigner plays Bauby's estranged wife Celine with subtle intensity and one marvels at the quiet dignity she brings to the part. Equally engaging in their supporting roles are Max von Sydow as Bauby's father; Marie-Josée Croze as the therapist who teaches him to communicate with blinks of a single eye; and Isaach De Bankole as his visiting friend Laurent. Both as a book and as a film, The Diving Bell and The Butterfly is largely about the perspectives that we choose to apply to our lives. Though he suffered one of the worse fates imaginable, Bauby chose to believe his life was still a meaningful one and worked to produce a celebrated book that was published just 10 days before he died. Julian Schnabel's film is a work of cinematic poetry that honors both the man and the work through the very means that Bauby employed to live his final days: penetrating intelligence, inspired compassion, and luminous imagination. by Author-Poet Aberjhani author of The American Poet Who Went Home Again and Encyclopedia of the Harlem Renaissance (Facts on File Library of American History) |
Author-Poet Aberjhani reviewed:
Beloved Prophet:the Love Letters of Kahlil Gibran and Mary Haskell, and Her Private Journal
| The Real-World Paranormal Romance of "Beloved Prophet" Kahlil Gibran, The world's abundant treasury of art and literature would likely be a lot less abundant if not for those famed, or sometimes secret, patrons of the arts who assisted many of our most celebrated creative artists at crucial points in their lives--and sometimes throughout their lives. For visual artist Pablo Picasso, author and patron Gertrude Stein played a major role helping to launch his unparalleled career in twentieth century art. For the Harlem Renaissance writer Langston Hughes, the mysterious heiress Charlotte Osgood Mason supported him (as well as others associated with the Harlem Renaissance) in great style at the start of his literary career. In the case of the Lebanese poet and artist Kahlil Gibran, the crucial lifeline came from American schoolmistress Mary Haskell. Just how essential, passionate, and sacred that lifeline was comes through with deep intensity in the pages of BELOVED PROPHET. Editor Virginia Hilu worked her way though more than 600 letters and decades of journal entries to carefully compose a book that goes far beyond amusing or impressive anecdotes to give readers the softly thundering heart and soul of a man whose works continue to inspire millions and the woman who helped make that work possible. Before the world came to know him as the famed author of such titles as The Prophet and Jesus the Son of Man, Mary Haskell met Gibran at his first art exhibit in 1904 when he was 21 and she was 30. Four years later, she sponsored his trip to Paris, where he studied art for two years and began a correspondence with Haskell that would last the rest his life. Upon his return from Paris to New York City, he both wrote and visited Haskell, whose school was in Boston. Gibran's understandably deep attachment to the woman who would come to mean so much to his life and career is evident even in those early letters, such as when he wrote this in 1908: "When I am unhappy, dear Mary, I read your letters... They remind me of my true self. They make me overlook all that is not high and beautiful in life." More than a decade later, in 1922, he tells her, "We have become one, Mary. You have entered my being--and you can't cut off either of us without destroying the other." If Beloved Prophet was comprised of nothing more than letters, it would be a less powerful or significant book. However, the entries from Mary Haskell's journal provide a wealth of insights both into her relationship with the artist-poet and into her own passionate being. Through those entries we receive accounts of Gibran's family relationships, how such events as the early deaths of his mother, a brother, and a sister impacted his life. We also learn quite a bit about his creative processes and the role Haskell often played in it. While helping Gibran organize initial drafts for The Prophet, she noted, "How absolutely the Prophet is Kahlil, although Kahlil has several times said, `This is not I, but the Prophet.'" Upon receiving one of the first published copies of it, she predicted, "This book will be held as one of the treasures of English literature. And in our darkness we will open it to find ourselves again and the heaven and the earth within ourselves." Addressing one another as "Beloved," and with references to their "greater selves" and life-transforming connection, Beloved Prophet sometimes reads like an extraordinary paranormal romance made much more profound by its concrete reality. The degrees of intimacy between Gibran and Haskell varied over the years but the general integrity of their relationship remained intact. It survived Haskell's move to Savannah, Georgia, in 1924 and her marriage to Florance Minis in 1926. After Gibran's death in 1931, his biographer Barbara Young discovered the letters while Haskell was present and suggested they destroy them to avoid any misinterpretation of their contents. Haskell eventually rejected that suggestion, seemingly out of belief that the letters might help future readers more greatly appreciate the rarity of Gibran's spiritual genius and the noble beauty of his very real humanity. by Author-Poet Aberjhani author of The American Poet Who Went Home Again and Encyclopedia of the Harlem Renaissance (Facts on File Library of American History) |
Author-Poet Aberjhani reviewed:
Stomp the Yard (Widescreen Edition)
| "Stomp the Yard" A Film of Life-Affirming Power and Beauty, Director Sylvain White's STOMP THE YARD may not strike many as an ideal movie for the family to gather around and watch during holidays or other special occasions but it actually is because holidays are about reaping the benefits of tradition and this movie is about that too. It's not so clear at the film's beginning whether we're watching a violent video game or a demonstration of directorial genius. The distinction, however, soon becomes obvious and the genius apparent. The mesmerizing opening dance scenes come across a lot like video gladiator battle sequences. These give way to the urban realism of a more brutal --and fatal-- L.A. gang clash after the not-so-lethal dance battle. DJ, played pitch perfectly by Columbus Short, loses his brother Duron (singer Chris Brown does an impressive job in this role) to a bullet in the clash and life as DJ knows it then comes to a screeching halt. After a brief time in jail, he leaves the West Coast for Georgia, where he moves in with his aunt and uncle, then enrolls in college. It seems like the perfect strategy for rebuilding your life but DJ has problems with the idea that he's living his brother's dream of going to college and that his own is not all that definite. Perhaps among the most under-appreciated gifted actors of his generation, Harry Lennix gives one of the strongest performances of his career as the no-nonsense-taking uncle who pulls DJ out of his self-pitying funk. Their relationship proves to be one of tough-love and mutual respect. It also provides a rare glimpse into how black male relatives often function as surrogate fathers to youth whose biological fathers for whatever reason are nowhere to be seen. The move from West Coast to Georgia might appear coincidental but in fact it is crucial to this film because DJ's move takes him out of a region of the country where historically black institutions like Clark University and Tuskegee Institute do not exist, and into one where their presence and legacy remains strong. The move to Georgia turns into an inner journey to his ancestral beginnings where ultimately he discovers the strength and integrity needed to cope with the grief over his brother's death and move forward with a vision for his own life. Once he becomes a student at Truth University, DJ initially demonstrates the same kind of arrogance and self-absorption that got him into conflicts back in L.A. But he also discovers the world of stepping, both a new form of dance for him and a cultural tradition going back to the establishment of the first black Greek Letter fraternities and sororities in the early 1900s during the Harlem Renaissance. He becomes determined to help his chosen fraternity, Theta Nu Theta, end a seven-year long losing streak against their rivals Mu Gamma Xi, and to win the heart of co-ed April Palmer (played beautifully by Megan Good). His efforts take him through an inspiring rites of passage during which he learns a great deal about his ancestral legacies and the advantages of sometimes working as part of a team rather than thinking only of himself. The culminating dance competitions in Stomp the Yard have to be seen to be believed and rank among the best in cinema history. Ultimately, this film is one that stands alongside "You've Been Served," "Drumline," and others that accentuate the life-affirming power and beauty of many African-American college traditions. In the process, it confirms and celebrates that same potential in all human beings. by Author-Poet Aberjhani author of The Bridge of Silver Wings (Songs of the Angelic Gaze) and Encyclopedia of the Harlem Renaissance (Facts on File Library of American History) |
Author-Poet Aberjhani reviewed:
All About Love: Favorite Selections from In The Spirit on Living Fearlessly
2 of 2 people found the following review helpful:
Taylor's "All About Love" Provides Harvest of Empowering Inspiration , A collection of more than 80 empowering editorials and three bonus dialogues, "All About Love" is all about life as we know, live, dread, treasure, and live it. Unlike too many book collections of short essays or creative nonfiction, this is not one aimed at demonstrating the intellectual profundity or virtuosity of the author. These are the observations, emotions, realizations and affirmations by which generations of women--and sometimes men--have mapped out the course of their daily lives and established purpose for their existence. They address such down-to-earth considerations as "Family Affairs" and "Living Abundantly," but also tackle more elevated yet essential meditations on subjects like "Being Peace," and "Self-love and Social Action." Ever a fearless witness to her life and times, Taylor notes in the introduction, "A Bridge of Light," that, "Human beings have made every corner of the planet a disaster zone, and human beings have the power and responsibility to clear and clean it up, set the Earth back on its axis. We are not small or powerless. We have the ability to transform our world. Our personal and collective pain, the disorder all around us, are calls to get up and get moving!!!" Especially noteworthy in "All About Love" are the three "conversations" that comprise its closing epilogue. One is Taylor in dialogue with Oscar-nominated actress Ruby Dee; another with educator and activist Cornel West; and the third with the late master musician and spiritual instructor Alice Coltrane. Each subject combines the articulated light of her or his illuminated spirit with that of Taylor's to produce flashes of useful insight that expand into waves of applicable principles and awareness. Take, for example, Cornel West's response to Taylor when she asks him about the need for men to become more emotionally honest, intimate, and self-loving: "Most would rather languish in conformity, complacency and even cowardice. But what is life for but to learn to love and be free and courageous?" At the end of February 2008, Taylor left her almost four-decade position as the creative passion behind Essence® Magazine to head the National Cares Mentoring Movement, an organization she founded as Essence Cares to help at-risk youth. As she journeyed from 1970 to 2008 toward that noble crossroad of change in her illustrious career, she became in 1999 the first African-American woman to receive the Magazine Publishers of America's Henry Johnson Fisher Award. In 2002, she won induction into the American Society of Magazine Editors' Hall of Fame. In many ways, "All About Love" is another kind of award, an eloquent summation of a triumphant career in one of the most demanding professions around. In another possibly more significant way, it is an open letter of uninhibited love and intentional compassion addressed to the denizens of the world from the heart and soul of one of the great women of our new millennial times. by Author-Poet Aberjhani author of The American Poet Who Went Home Again and Encyclopedia of the Harlem Renaissance (Facts on File Library of American History) |
Author-Poet Aberjhani reviewed:
Gabriel
2 of 2 people found the following review helpful:
 Astounding Angels of the Wingless Kind, Are there any who fall, when they fall, quite so hard as angels do? Going by the scenario in Australian director Shane Abbess' extraordinary noir metaphysical drama, GABRIEL, the answer would have to be a loud "No!" As they battle in human form for control over the middle earth region of Purgatory, where human souls dwell in limbo before descending to hell or ascending to heaven, these angels use the f-word in more ways than one, revel in rebellion and debauchery by the ton, and fire blazing automatics with more deadly intent than a. S.W.A.T. team or gang bangers looped on crack. And yet the independent filmmaker's skillful balance between Purgatory mayhem and heavenly transcendence is a finely rendered one. As he drops dreamlike from heaven to non-heaven, the archangel Gabriel ponders the fact that he is on his way to do battle in a spiritual war zone where six fellow archangels have already dared to tread but apparently failed. He is a last chance, hoping to succeed where even the mighty angel-warrior Michael has not. Newcomer Andy Whitfield does a more than competent job as Gabriel and makes it easy to empathize with his divine anguish as he adjusts to his mortal form, seeks out his wounded angelic comrades, and launches full force into martial arts and handgun combat. Dwayne Stevenson as the manically rebellious Sammael, and one-time mentor of Gabriel, provides a powerful villainous contrast. The film progresses between scenes of healing and reunion, to those of explosive one-on-one clashes reminiscent of the most enthralling gangster-film gun battle sequences. The ending is not only unpredictable in regard to a painful choice that Gabriel makes--it is also for some viewers disturbing and controversial. Considering the obstacles that Shane Abbess and company had to overcome to make this amazing independent film, you have to give the production team and cast credit for getting it done at all. When looking, however, at the small miracle they achieved while working with so little, it becomes difficult not to imagine how much they might have accomplished working with more. by Author-Poet Aberjhani author of "The Bridge of Silver Wings" and Encyclopedia of the Harlem Renaissance (Facts on File Library of American History) |
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Hello CTI Friends, Family, and Fellow Innovators— As CTI continues to grow, we are exploring ways to improve the site and thank those of you who have sent in suggestions. In an effort to make it b... Continue
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Started by Aberjhani 1 day ago
O my eternal spring of inspiration and wildest hopes One see tears as brokenness, another see it as nearness O my sea and my waves, do you got angry against time ? Do the passing stranger leave his... Continue
Tagged: my_sea_waves, zhulixin, edita, inspiration, spring
Photograph of me courtesy of Trevor Jenkins at 98 Productions My attitude is all about gratitude after waking up Friday morning, March 7, 2008, and discovering my novel, Blood Kin, A Savannah S... Continue
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Started by Robert T.S. Mickles Sr.. Last reply by Saru M May 8.
I'm still trying to figure it out but in the meantime this is what one of mine looks like: Continue
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Started by Luther E. Vann. Last reply by Creative Conversation Interviews May 8.
The American West is not only historical in its cowboy roots, ( wagons, saddles, spurs, six-shooters, and cactus) but also as equally important in its jazz roots, ( trombones, trumpets, piano, an... Continue
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Creative Thinkers International is currently working with Amazon to determine the most effective ways for the site to link with Amazon and give visitors more immediate access to the books, cds, dow... Continue
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Started by Author-Poet Aberjhani. Last reply by Aberjhani May 7.
And it was at that age ... Poetry arrived in search of me. I don't know, I don't know where it came from, from winter or a river. I don't know how or when, no they were not voices, they were not... Continue
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My Indigo It's late. I've come to find the flower which blossoms like a saint dying upside down. The rose won't do, nor the iris. I've come to find the moody one, the shy one, downcast, grave, a... Continue
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Hi - I'm new here and I'm seeing familiar loving spirits on these pages, I hope to fill in the proper way with all I share... Aberjhani - pleasure is all mine, you have done a great job HERE! Any f... Continue
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