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Christopher Stewart
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  • Québec, Qc
  • Canada
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Music and Spiritual Practice - An Overview of Poligraf


Music has been an essential part of my life since the end of the 80s.

The adventure began during the second of my four years of studying electrical engineering at Université Laval in Québec City. Through various friends and contacts I reconnected with progressive rock, a form of music to which I had already been exposed to in my youth thanks to my older brothers and sisters. Hearing the music of bands such as Yes, Rush, Genesis, and King Crimson felt like meeting old friends, and quickly I knew I just had to do as those musicians did, although my prior experience with music had been minimal at that time.

The feeling was so strong that not only did it led me to buy various instruments so I could learn how to play, but it was also the main force that made me decide to change direction after my first semester as a graduate student in computer vision and systems so I could build my life around music. And perhaps more importantly, when it became clear that I would compose music of my own, it spawned the question "what should the songs be about ?" which powered me into many years of exploring a multitude of domains of knowledge including science, philosophy, psychology, art, mysticism, and the occult.

Music for me is also spiritual practice. The inspiration and elevation it provides is undeniable, and the many insights I have had while practicing an instrument or rehearsing a part are too numerous to recount. Music picks me up when I let reason bring me down, restores my energy levels when I feel tired, sustains me through lengthy work sessions, and generally brings me to a state of inner peace and deep joy.

My objective as a musician is to communicate that energy in the hopes that listeners will experience that very same elevation and inspiration. It is also my intention to share my experiences and discoveries and thus hopefully help others reach understandings that can they can use on their own journey.


Buddhism has been an essential part of my life since the mid-90s.

The adventure began when I stumbled upon a feature in an encyclopedic dictionary that highlighted the Four Noble Truths. That finding immediately sparked my curiosity and a few days later I was buying a copy of The Dhammapada at a local bookstore. While slowly digesting the aphorisms in the weeks that followed, I found that its teachings were in continuity with a process of introspection that had begun during an introductory course on neural networks (i.e. systems designed to emulate some of the capabilities of the human brain, such as pattern recognition and associative memory), the study of which had triggered the question "what does this tell me about my own inner workings ?"

From then on I pursued my explorations and plunged into the Tibetan Book Of The Dead, which was quickly followed by various Mahayana sutras. I also bought a guide to learn how to meditate and started experimenting with the practice.

During the years that followed, I plowed through most of the major Mahayana sutras, progressively adjusted my lifestyle and behaviour to accord with the precepts, refined my meditation practice, memorized mantras, and became a vegetarian.

Meditation and mantra recitation are now part of my daily practice.


Poligraf has been an essential part of my life since its inception at the beginning of February 1998.

The adventure began after the collapse of a band that probably never really existed as it only had a handful of rehearsals, but for which I had already written a lot of material. Left alone at the helm, I connected with a group of experienced musicians via a co-worker friend and after agreeing on a general aim and formula, we raised sail and headed to the terra incognita of progressive rock.

Over its eleven years of activity in various incarnations, Poligraf has yielded enough music for three full-length albums and two conceptual EPs, but never really had a chance to officially record any of them, although some of the material has been performed on stage on various occasions.

Most of the music documents my own spiritual path and presents some of the lessons that life has taught me on the way. Some pieces are directly inspired by Buddhist texts or teachings. For instance, "Between Worlds" is directly inspired by the Tibetan Book Of The Dead, and "The Idler" and "Creeper" have been inspired by aphorisms of The Dhammapada. "Void" illustrates the Buddhist concept of emptiness, and "SubjeKctiv" serves as a reminder of the subjectivity of experience and the coextensivity of worlds. "Entering the Stream" is a suite in three chapters that depicts the trajectory of an individual fed up with the mundane who decides to retreat into an ashram for some heavy introspection before returning to the ordinary with a renewed perspective on life.

Throughout all these years, if the Mahayana has provided the vehicle, then Poligraf has certainly provided landscapes, path, and drive, while the buddhas have completed the picture with their timely, serendipitous, and often magical interventions.

I don't know why I feel so strongly about music, progressive rock, and Poligraf in particular, but I just know I do and I trust that feeling to the best of my ability. My connection to Poligraf runs so deep that whenever I let hardships or circumstances turn into reasons to believe that there's no viable future for the band, then I retreat into apathy. That is, until that unmistakable feeling breaks through the veil of confusion to drive me again. To the best of my present understanding, my own self-realization seems to be linked to that of the band, if not as the culmination of my spiritual practice, then at least as an essential stepping stone towards it.


Poligraf's first album is entitled "Samsara." Traditionally, the term refers to the Buddhist concept of the cycle of birth and death in which all beings in the universe take part and which can be escaped only through enlightenment. Personally, I agree with the view that it is rather that very same process of enlightenment, in which ups and downs are in fact the appearance of constant motion towards spiritual growth.

In accordance with that perspective, the album presents a collection of pieces that depicts the journey of an individual who faces a series of challenges through which they will experience various transcendences, on their way to a better version of themselves.

Poligraf is very much eager to spread its wings and go into recording mode. The boys in the band would be grateful if you would be kind enough to learn more about "Samsara" and listen to the demos. You're also invited to extend your support and pre-order one of the packages we have put together to that intent.

Thank you for reading thus far, and best wishes to you on your journey.

Christopher Stewart's Blog

Christopher Stewart

The Music Of Poligraf : The Dam part 8


("Masculine Wave" by Katsushika Hokusai)






"Ocean" is th

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Posted on September 4, 2009 at 2:24pm —

Christopher Stewart

The Music Of Poligraf : Uncoiling part I


(Tobyo from the Bakemono-Dukushi - Unknown Artist)






"Uncoiling I" was originally written in September 2002, elaborating on drafts da

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Posted on September 3, 2009 at 11:48am —

Christopher Stewart

The Music Of Poligraf : The Chrome Lake part 5






"Introspection II" is the fifth section, and second with vocals, of "The Chrome Lake." And as is the case for its almost-but-not-identical twin "Introspection I," the subject matter is pretty much self-explanatory.



Verse

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Posted on September 1, 2009 at 10:44am —

Christopher Stewart

The Music Of Poligraf : Juggernaut part 4


(Erie Steam Road Roller scanned by Andy Dingley from the "New Catech

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Posted on August 27, 2009 at 5:52pm —

Christopher Stewart

The Music Of Poligraf : The Dam part 7


("Between the waves" by Ivan Aivazovsky)




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Posted on August 24, 2009 at 11:53pm —

Profile Information

Hometown:
Rivière-du-Loup, Qc
Relationship Status:
Single
About Me:
Art, Music, Spirituality, Writing
More About Me and My World
Curious romantic zensufi techno-geek, herbal-tea-drinking vegetarian artistic footballer, and singular muse-following tarot-reading polymath
Website:
http://www.poligraf.net/
Favorite Music:
Porcupine Tree, High Wheel, The Mars Volta, Deus Ex Machina, Isildurs Bane, The Tangent, Magellan, Cairo, Arena, Gazpacho, Gordian Knot, After Crying, Planet X, Dream Theater, Mr Bungle, Yes, King Crimson, Rush, Genesis, Peter Gabriel, Brian Eno, Trey Gunn, Frank Zappa, Mike Keneally, Opeth, Devin Townsend, Voivod, Mahavishnu Orchestra, John Coltrane, Miles Davis, Bill Bruford's Earthworks, Steve Vai, The Police, U2, Vissarion Shebalin, Igor Stravinski
Favorite TV Shows:
Lost

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At 4:26pm on May 23, 2009, Author-Poet Aberjhani said…
In the event you are not already familiar it, may I introduce you to the ethno-techno music of CTI member Danny C. Sillada at this url: http://creativethinkersintl.ning.com/profile/dcsillada

You might find it very interesting and possibly with some parallels to your own.

Aberjhani
At 1:27pm on May 14, 2009, Author-Poet Aberjhani said…
Great to see you making such beautiful use of you space here at CTI Christopher. Thanks for joining the community.

Aberjhani


 
 

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The Path of a Creative Thinker at CTI

CREATIVE THINKERS INTERNATIONAL MEMBERSHIP GUIDELINES




1. Membership at CTI is free and open to all those interested in either the production or appreciation of the creative arts, to include literature, visual art, dance, music, film, spiritual theory, the social sciences, philosophy, general humanities, scientific inquiry, education in general, and other disciplines intended to enhance the quality of life for all humanity.

2. Materials posted by Members of CTI are their sole responsibility and not that of CTI management or any other member of the CTI site.

3. While recognizing that the work of creative artists is often controversial by its very nature, CTI prohibits and discourages the posting of any overtly obscene and intentionally inflammatory material. These include overt pornography, racist diatribes, religious slander, and any postings promoting discrimination against or the oppression of other human beings.

4. In the interest of stimulating creative growth, we encourage dialogue and even debate. However, Members should avoid leaving intentionally offensive or antagonistic remarks on the pages of Fellow Members. We can disagree and still remain a harmonious community.

5. Explore, grow, share, and enjoy your creative success.

Please remember, these guidelines are likely to evolve as the site itself continues to evolve and develop. We welcome and encourage your input. After all, yours are some of the best minds on the planet so we would be very foolish not to listen to what you have to say.

The CTI Admin Team

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CTI Spotlight Artist Tasha Coleman, August 1-15, 2008



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CTI Spotlight Artist Marina, July 1-15, 2008





One of the traditions at CTI that has helped us form a meaningful and yet flexible sense of community is the Spotlight Artist. It is not a competition or popularity contest of any kind but simply a way of drawing greater attention to the creative offerings presented so generously by…

CTI Spotlight Artist BlackBirdHyperdrive, June 16-30, 2008



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CTI Spotlight Artist Robert M, May 16-31, 2008




Versatility is a quality we have come to associate with many of our members and Robert M, our new CTI Spotlight Artist, is one of the most versatile among us. The fortunate visitor to Robert’s profile page gains entry into a world of eclectic musical compositions ranging from classic…

CTI Spotlight Artist Vickie L. McColley, May 1-15, 2008

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(photo of Luther E. Vann by John Schmidt)

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