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Embracing the world with positive creativity since Sept 2007.
Inspiring creative responses to 21st-century life through writing, art, music, social science, spirituality, and philosophy.
Author-Poet Aberjhani reviewed:
Reign Over Me (Widescreen Edition) DVD ~ Adam Sandler
The nonstop reverberating horror of September 11, 2001, has spawned a number of notable films and REIGN OVER ME deserves a place among them. The opening scenes of the movie are brilliantly simple, starting with Adam Sandler as Charlie Fineman gliding through New York City on his scooter like an overgrown kid floating through a dream until awakened from it by his former college roommate, Don Cheadle as Alan Johnson. The light comic tone set by writer and director Mike Binder at the beginning of "Reign Over Me" allows viewers to become comfortable with the idea of a new and unique kind of "guy movie." We settle down to be entertained by former roommates who re-enter each other's life and presumably will experience all kinds of hilarity as a result. That presumption, it turns out, reveals only a very small part of a very big story. A current popular expression states that "People come into our lives for a reason." But in the case of this movie, we might change it to "People come back into our lives for a reason." The more Charlie and Alan reintegrate themselves into each other's life, the more clear it becomes that both are living with deeply hidden wounds that block their desire for happiness. In Alan's case, it's his seeming dissatisfaction with a marriage in which he has begun to feel stifled and his frustration with the bossy partners in a small but successful dental clinic that he established. On the other hand, Charlie's primary issue appears to be a case of burned-out stoner until we learn that he lost his wife and children on 9/11. Years after the event, the blow is still such a devastating one that he can barely function outside of riding his scooter, sitting in as a drummer on late-night club jam sessions, and playing electronic games. Millions of dollars collected in insurance money don't help much either. The loss of his family has left him so detached from any sense of connection and ordinary emotions that he is completely devoid of compassion when Alan's father dies. Upon hearing the news, instead of nodding with understanding when Alan declines his invitation to hang out and eat Chinese food, Charlie tells him, "Come on, don't be such a p_ssy." As heavy as "Reign Over Me" can get at times, it also contains a lot of feel-good moments as well, such as when Saffron Burrows, as Alan's patient Donna Remar, innocently declares she would have sex with him if he wished just so she can get the urge to do so out of her system. It's also genuinely moving to see the support that Charlie and Alan try to provide each other as they confront their individual demons/dilemmas. In addition, Jada Pinkett Smith as Alan's wife, Liv Tyler as Charlie's therapist, and Donald Sutherland as a judge round out a powerful supporting cast. What we witness at the end of "Reign Over Me," with the sound of Pearl Jam wailing soul-ripping angst in the background, is a man with a brutally broken heart struggling to find enough faith and strength to help him believe that his life can somehow become good and worth living again. It's not hard to identify with Charlie because the pain he continues to feel, even as he takes steps toward healing himself, makes a perfect symbol for the pain people all over the world continue to feel and live following September 11, 2001, seven whole years ago as of this writing. By Author-Poet Aberjhani author of ELEMENTAL, The Power of Illuminated Love and The American Poet Who Went Home Again |
Author-Poet Aberjhani reviewed:
Reach for the Moon: Poetry and Short Stories by Marcia Townsend1 of 1 people found the following review helpful:
Aberjhani author of The American Poet Who Went Home Again |
Author-Poet Aberjhani reviewed:
Half Nelson DVD ~ Ryan Gosling
4 of 4 people found the following review helpful:
In a role for which he was nominated for an Academy Award, Ryan Gosling stars as Dan Dunne, a single young teacher who at first appears to be only an intellectual geek rather than a full-blown junkie. This perception crumbles when we see him calmly sneak into a bathroom stall to smoke crack cocaine and one of his students finds him there. Instead of turning him in, she chooses to exercise compassion. This gradual understanding of this particular teacher as junkie is one that viewers struggle against because at the same that we witness the pervasive intensity of his addiction, we also discover him as a coach dedicated to his middle school girls' basketball team; and as a competent lover to whom women are drawn but ultimately leave. But mostly, apart from the cocaine and the severe sexual indulgences, we discover a brilliant teacher with a passion for knowledge and ideas that he successfully imparts to his students. The only problem is that the knowledge and ideas he shares go beyond the official lesson plan for thirteen-year-olds into daring philosophical explorations and interpretations of history and modern society. "Half Nelson" might have become little more than an exercise in "liberal guilt," self pity, or self loathing, were it not for the dangerously inappropriate friendship that begins between Dunne and his too-streetwise student Drey. As mesmerizingly brilliant as Gosling is in the role of Dunne, young Shareeka Epps matches him scene for scene in her portrayal of thirteen-year-old Drey. Her impulse to protect and shield him from his own self destructiveness at first seems innocently heroic, but then deadly and heartbreaking. The final fifteen minutes of the film are very difficult to watch as Drey comes face to face with just how ugly her teacher's predicament can get. Yet oddly, in the final scene, they find a reason to laugh. Most viewers understand immediately that teacher and student are headed towards some very painful consequences and probably should not be laughing at all. In addition to Gosling and Epps, Anthony Mackie turns in a pitch-perfect performance as the family friend/drug dealer partly responsible for the arrest of Drey's brother, and whose attempt to take his place is probably the last thing she needs. The main question seems to be whether or not she really has a choice. by Author-Poet Aberjhani author of The American Poet Who Went Home Again and Encyclopedia of the Harlem Renaissance (Facts on File Library of American History) |
Author-Poet Aberjhani reviewed:
Scream by Collected Poets
The collected works that make up this blazing anthology of poetry represent the exceptional talents of one of the most vibrant and dynamic literary communities on the Internet: Edit RED. The voices in this book command attention because they are not content to simply sit on the page and wait for admiration but virtually leap out at readers, and, as the title indicates, SCREAM out loud with the raw strength of their convictions, honesty, pain, beauty, blood, tears and artistry. It is yet one more example of irrefutable evidence that poetry not only still matters in our modern times, but in fact matters now more than ever before. by Author-Poet Aberjhani author of ELEMENTAL, The Power of Illuminated Love and The American Poet Who Went Home Again |
Author-Poet Aberjhani reviewed:
Vincent & Theo [ NON-USA FORMAT, PAL, Reg.2 Import - Great Britain ] DVD ~ Tim Roth
I have one favorite scene in the film VINCENT AND THEO, the late Robert Altman's highly acclaimed masterwork on the life of Dutch painter Vincent Van Gogh. It is a short brutal scene in the first half of the movie when Van Gogh's model and mistress is leaving him: she slaps him witless, and then kisses him hard on the mouth before storming out of the apartment. That double action of pained frustration and loving adoration seems a sad but accurate metaphor for the entire film and possibly for Van Gogh himself. Whereas life bestowed upon him a bliss-filled kiss of exceptional artistic and spiritual vision, the hand of fate slapped him so hard that he was robbed of any lasting personal joy that might have come from this great gift. Van Gogh (in the film played brilliantly by Tim Roth) is one of those creative geniuses of history whose life story continues to haunt and inform us from one century to the next. The question is "Why?" Could it be because the beauty and evidence of that genius continues to increase with time and therefore makes us wonder about the cultural values and "personalities" we tend to either champion or malign in modern days? That it definitely does increase can be measured in one sense by the millions of dollars for which this eighteenth century impressionist artist's paintings now sell. The whole point of Altman's film seems to be to illustrate how Vincent's genius found refuge for a while in his brother Theo's love. It is well known that even though Theo (who is played with mesmerizing neurotic precision by Paul Rhys) was a relatively successful art dealer, he was unable to manipulate the market to his brother's advantage. That did not, however, stop him from financially supporting him throughout his short adult life as a painter. Altman makes that point clear enough when Theo informs his brother that the money Vincent thought their father had been sending him had in fact been provided by Theo. Rather than belaboring this aspect of their relationship, director Altman moves his camera back and forth between scenes that show us how very much alike, and yet simultaneously different, Vincent and Theo were in their thwarted pursuits of a triumphant life. As Theo eagerly courted "respectable ladies," Vincent just as eagerly enjoyed women of a certain profession. Whereas Vincent yearned to prove himself an artist worthy of the name, Theo yearned to prove himself a businessman worthy of prominence and prosperity. Vincent's descent into madness manifests more tangibly because it takes on the more graphically visual qualities associated with art itself: we see him court and then violently alienate the attentions of his equally genius friend Paul Gauguin; watch him stick knives menacingly in his mouth, cut off his earlobe, meekly endure his stay in an asylum, stand in a sunlit field where he has been painting black birds and calmly shoot himself. All the while, some of the most celebrated canvases in art history, depicting a virtual of ecstasy of sunflowers, starry nights, and golden wheat fields, rapidly pile up. Theo is actually able to resist the powerful tug of debilitating madness until after his brother succumbs to it. That he does fall prey to it is tragically ironic because despite the syphilis that mars his happiness, he achieves some measure of the "ideal life" with a wife, new baby, and modest advancement in his career. He therefore appears to have all the motivation necessary to sustain a stable existence. But when he places all of Vincent's work (after the artist's death) in a suite of rooms for an exhibit, he screams at his wife that "This is the most important thing in my life!" and forces her to leave. It would seem at that point that he not only loved Vincent and believed deeply in his talent, but was in fact a kind of extension of him, and vice versa. The loss of Vincent on July 29, 1890, at the age of only 37, triggered in Theo a mental and physical collapse. He died less than a year later on January 25, 1891, at the age of 33. This 1990 movie (released on DVD in 2005) is 138 minutes long so no one can claim it's too short. I only wish Altman had included somewhere in it the story of how--after studying for the ministry and before he became a painter--Vincent spent forty days nursing back to health a miner who had been injured in an explosion and whom doctors had expected to die. The miner's recovery was described as a miracle and, from the scars left on his face, Van Gogh experienced a vision of the wounds that Christ suffered from the crown of thorns placed on his head. Some allusion to this may have added greater understanding to the intense spiritual impulses that drove Van Gogh's devotion to his art and helped clarify what he hoped to communicate through it. Even so, the film as it stands is itself a remarkable painting of two extraordinary brothers who shared one profound and astonishing destiny. by Author-Poet Aberjhani author of ELEMENTAL, The Power of Illuminated Love and Encyclopedia of the Harlem Renaissance (Facts on File Library of American History) |

Posted by Robby Baby on October 10th, 2008 at 1:53pm

Posted by Robby Baby on October 9th, 2008 at 11:15am — 1 Comment
Those greedy bastards, worship money and power, in name of Ayn Rand. Learn more about me and my poetry at: http://www.squidoo.com/book-isbn-1419650513/
Posted by Joseph J. Breunig 3rd on October 8th, 2008 at 4:07pm
Photography Artist: (Unknown to Me)
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ContinuePosted by Romantic Poetess on October 8th, 2008 at 11:00am — 2 Comments
Wicked Venom
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ContinuePosted by Romantic Poetess on October 8th, 2008 at 10:54am — 3 Comments
Posted by Robby Baby on October 7th, 2008 at 9:30pm — 7 Comments
Traitors Among Us People are not always what they appear to be, a world of black and white, yet so much gray, never knowing whether to stay, fight, or flee, dilemmas and decisions faced along the way. Whether friend or foe we often do not know, each of us have an agenda that is all our own, good versus evil struggling everywhere we go, we have suspicions by one’s manner and tone. There is those we trust, those we think we can, a journey where obstacles are many on the path, but respect and ho… Continue
Posted by Samuel E. Stone on October 7th, 2008 at 7:31pm
Turned away, to face another day. Turned away, from pain by grace, to face the pain, not back to back, but face to face. What a grace of face, that face that makes me face the pain, not out of capricious intent, but to be able to face a more beautiful day. What a graceful face, that stops me from turning away, from the face of pain, that stops em from experiencing a better day. Thank you fro this mysterious grace, this mysterious turn of face, that stopped me from turning my back away, that… Continue
Posted by Robby Baby on October 7th, 2008 at 5:35pm
(British rocker Seal sings Sam Cooke's classic "A Change is Gonna Come")… Continue
Posted by Author-Poet Aberjhani on October 7th, 2008 at 4:30pm — 3 Comments
Photography Artist: Autumns Goddess…
ContinuePosted by Romantic Poetess on October 7th, 2008 at 1:15pm — 8 Comments
Hello all, As some of you already know, when I start working on something, I spare neither time nor effort to achieve what I want. Well, this time, I have the crazy idea that I can translate all my poetry from English into French and vice versa. Talk about a challenge! LOL Anyway, I would really appreciate if you visited my website and gave me feedback on what I am trying to achieve. It will certainly take months (and maybe years) to finish the whole thing. Some poems are already bilingual: t… Continue
Posted by Cendrine Marrouat on October 7th, 2008 at 3:05am

Posted by Gravity on October 6th, 2008 at 5:00pm — 1 Comment
From the two picture below I wrote this poem:


Posted by Tasha Coleman on October 6th, 2008 at 1:08am — 1 Comment
Note: My thanks to Marlive Harris of Grits.com and author LaConnie Taylor Jones for inviting me to share a few thoughts on this very dangerous topic and to participate in the A Love For All Time...
Tagged: virtual, book, tour, Harris, Marlive
Started by Author-Poet Aberjhani in The Power of Women and Stability in Relationships. Last reply by La Belle Rouge~Poetess Of The Heart~ 1 day ago.
Hello - Although I am excited about my first book signing, I don't personally know or have met anyone, that has had the pleasure of this type of experience. I have prepared a checklist of activiti...
Tagged: book-signing
Started by Joseph J. Breunig 3rd in The CTI News Room Oct 6.
Savannah, Georgia (USA)––A countless number of museum-goers and art lovers from across the globe viewed artist Luther E. Vann’s acclaimed ELEMENTAL exhibit at the Telfair Museum Jepson Center fo...
Tagged: Aberjhani, Museum, Telfair, Luther, E.
Started by Author-Poet Aberjhani in The CTI News Room. Last reply by Author-Poet Aberjhani Sep 30.
After receiving suggestions that it might be too time-consuming to track down clues pertaining to each CTI Spotlight Artist without knowing who the artist was, we have decided to divide the qui...
Tagged: poets, writers, survey, art, photography
Started by Aberjhani in Creative Thinkers International First Anniversary Celebration (Sept 10-16, 2008). Last reply by Aberjhani Sep 27.
Hello Friends of Creative Persuasions–– Below is a preliminary calendar of events scheduled to celebrate Creative Thinkers International’s 1st Anniversary from September 10-16. Please note tha...
Tagged: books, artists, music, authors, international
Started by Aberjhani in Creative Thinkers International First Anniversary Celebration (Sept 10-16, 2008). Last reply by Robby Baby Sep 16.
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